ศิลปะจัดวางของภูมิทัศน์น้ำตาล

Abstract

Interest in the phenomenon of ordinary objects in everyday life was the beginning of Sugar(land-)scape. Sugar flakes and the change in the imagination of landscapes. Experiments were conducted to determine the methodological feasibility associated with the conditions of the aban-doned building site that underpin the transition from when it started. As a semi-enclosed and open space at the same time being used as an experimental site, the building, assembly and presentation allow temperature, humidity, animal footprints, insect colonies to join methods of dissolved sugar, solidify, spun, and drip in the form of imaginary landscape. The art component allows enhancing the flatness, angles of the area with mixed -media installation artworks in records the possibility of a three-month period. In harmonious altogether forms of objects, video projection, smell, dampness, light, and viscosity these are the parts of the sugar landscape that lead to the contemplation of the dynamics of the substance, instability and the movement of dynamical artwork.